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Volume 38, Issue 2
Volume 38, Issue 2

american elegy

lately i’ve been thinking about that asteroid,
the one my third grade teacher, mr. vigil said would end us

within the year—what its name was, if it ever had one—
was it stuck elsewhere in the dark echoes, too far into another

century—or the implosion of the sun meant to kiss our bones
into ash the way terminator 2: judgment day does,

i remember, afterwards, seeing a commercial: mummified
yzma from the emperor’s new groove, all purples and feathers,

an afterlife immortalized in thirty seconds, then darkness
of the screen. i cried in the shower. prayed to god. wondering

if there was an answer. any answer. it’s not the first time
i’ve known it—i knew death before all of this, without knowing,

really—i was three, when lola miguela passed, the details
in glimmers: white box, body as still as the deepest slumber,

i told her, wake upit’s time to go—confused
by my mom’s tears, the proneness in lola’s body, the very lack of her

embrace—the heft of this kind of leaving—a permeation
unwilling to wilt away—what’s left is

a photo of us, where i sat on her knee & she held me
precious this little thing, not privy to knowing

what the world can be, how it can strip away
nothing and everything all the same.

About Melanie Manuel

Melanie H. Manuel is a Filipina American poet. She obtained her BA in Asian American Studies and English from UC Davis and is currently attending SDSU for her MFA in poetry. Her work has been published by North American Review, Grist: A Literary Journal of Arts, Los Angeles Review, and The Shore. She also has forthcoming work with Quillkeepers Press, Porkbelly Press, and others. Her debut chapbook, in storyboard, is out now with Bottlecap Press.

Zone 3 Press, the literary magazine of Austin Peay State University
Volume 38, Issue 2
Volume 38, Issue 2

american elegy

lately i’ve been thinking about that asteroid,
the one my third grade teacher, mr. vigil said would end us

within the year—what its name was, if it ever had one—
was it stuck elsewhere in the dark echoes, too far into another

century—or the implosion of the sun meant to kiss our bones
into ash the way terminator 2: judgment day does,

i remember, afterwards, seeing a commercial: mummified
yzma from the emperor’s new groove, all purples and feathers,

an afterlife immortalized in thirty seconds, then darkness
of the screen. i cried in the shower. prayed to god. wondering

if there was an answer. any answer. it’s not the first time
i’ve known it—i knew death before all of this, without knowing,

really—i was three, when lola miguela passed, the details
in glimmers: white box, body as still as the deepest slumber,

i told her, wake upit’s time to go—confused
by my mom’s tears, the proneness in lola’s body, the very lack of her

embrace—the heft of this kind of leaving—a permeation
unwilling to wilt away—what’s left is

a photo of us, where i sat on her knee & she held me
precious this little thing, not privy to knowing

what the world can be, how it can strip away
nothing and everything all the same.

Volume 38, Issue 2
Volume 38, Issue 2

american elegy

lately i’ve been thinking about that asteroid,
the one my third grade teacher, mr. vigil said would end us

within the year—what its name was, if it ever had one—
was it stuck elsewhere in the dark echoes, too far into another

century—or the implosion of the sun meant to kiss our bones
into ash the way terminator 2: judgment day does,

i remember, afterwards, seeing a commercial: mummified
yzma from the emperor’s new groove, all purples and feathers,

an afterlife immortalized in thirty seconds, then darkness
of the screen. i cried in the shower. prayed to god. wondering

if there was an answer. any answer. it’s not the first time
i’ve known it—i knew death before all of this, without knowing,

really—i was three, when lola miguela passed, the details
in glimmers: white box, body as still as the deepest slumber,

i told her, wake upit’s time to go—confused
by my mom’s tears, the proneness in lola’s body, the very lack of her

embrace—the heft of this kind of leaving—a permeation
unwilling to wilt away—what’s left is

a photo of us, where i sat on her knee & she held me
precious this little thing, not privy to knowing

what the world can be, how it can strip away
nothing and everything all the same.

About Melanie Manuel

Melanie H. Manuel is a Filipina American poet. She obtained her BA in Asian American Studies and English from UC Davis and is currently attending SDSU for her MFA in poetry. Her work has been published by North American Review, Grist: A Literary Journal of Arts, Los Angeles Review, and The Shore. She also has forthcoming work with Quillkeepers Press, Porkbelly Press, and others. Her debut chapbook, in storyboard, is out now with Bottlecap Press.