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Volume 38, Issue 1

Spring 2023
Nonfiction
Poetry
  • Glaze
    Simone Muench and Jackie K. White
Fiction
Interviews

editorial staff

Volume 38, Issue 1
  • Amy Wright
    Senior Editor
  • Casey Leffel
    Managing Editor
  • Stephanie Dugger
    Poetry Editor
  • Cherise Morris
    Nonfiction Editor
  • RS Deeren
    Fiction Editor
  • Etenia Mullins
    Assistant Poetry Editor
  • Maria Isabelle Carlos
    Assistant Nonfiction Editor
  • Dee Sloss
    Assistant Fiction Editor

readers

Volume 38, Issue 1
  • Erin Bosbury
  • Aubrie Calvin
  • Essence Eddins
  • Kathryn Hamlet
  • Jessica Hart
  • Matthew Hayes
  • Jessica White
  • Kaela Cundiff
  • Susanna Franklin
  • Darelys Lugo
  • L Maurice
  • Savvy Tester
  • Catherine Walker
  • Beth Chisenhall
  • Blake Wallace
  • Adriel Warren
  • Jordan White
  • The Woods at Woodsmoor by Susan Bryant
    The Woods at Woodsmoor by Susan Bryant
Featured Nonfiction

  • Seeking the Feral Feminine

    P.J. Powell


    I was withering in the suburban dead space between New York City and Philadelphia when I first learned of the wild woman archetype, courtesy of Clarissa Pinkola Estes’s Women Who Run With the Wolves. Something was wrong with me, deeply wrong, and my gut told me this book had the answer. The wild woman of Estes’s compilation knew how to nurture the garden of the self so she could share the fruits of those labors without depleting her fertile soil and going fallow. I longed for that vibrant inner and outer life, to connect with my inner wild woman so she could come into her own.

    I was the living dead. My advanced degree felt meaningless. My job had dimmed my inner light and stolen my breath. Estes said, if I could gather the bones from my past and sing over them, muscles and organs would spring forth. My four-footed, wild self would become wrapped in new flesh, grow a tawny, full coat, and come trotting along beside me. But how would I know which bones to pick up? I called to my imagination a feral godmother, a personal Baba Yaga whose christening gifts were a rib plucked from her side and a promise to check on me from time to time. If I could pinpoint her cameos in my past, perhaps I would know what to reclaim.

    At first, I floundered in the dusk of my memory. Movement flickered around my peripheral vision—perhaps she was dancing just then—but that could have been a sparrow. A scream pierced the night—perhaps she was singing to me—but that may have been the fox. Shine your light directly at her, and you won’t see her embodied. Pinning her down was like trying to see wind. But watch how the leaves tumble, and you’ll know the wind’s current form.

    READ MORE>

Featured Poem

  • & God Sends a Colt

    Ross White


    & God sends a colt. The colt’s mane flows
    like a river as it gallops wild through acres
    of grassland. & then God commands: build
    a saddle, toughen the leathers & smith the stirrups

    & buckles. Secure the rigging, puncture
    the cinch. From solid ivory, carve a horn whiter
    than the oblivion behind closed eyes.
    Lug the saddle to the post outside the corral.

    & when that’s done, the colt breaks through
    pasture & into the miles of woods, weaving
    between trees as if to display its & nimbleness.
    & the colt heeds no call, just runs & runs.

    & then God chooses silence as His answer.
    God chooses a butterfly, deep crimson
    & erratic, to tend the excitable breeze.
    No amount of waiting makes the foal submit,

    nor breaks him. When the sun breathes its last
    sigh over distant mountains, when like a seraphim
    the woman comes from the cottage
    to the hitching post with hardtack and coffee

    then guides herself back by candlelight,
    the colt does not buckle. When the coyote
    lurches like a drunkard through the field
    & past the corral, when the fireflies retire

    to scrub pine. When the sun tosses out its red anger
    & then its blinding yellow ache. The colt
    returns from the woods, gallops through pasture,
    approaches & retreats & approaches

    & rears & whinnies, unrelenting to stillness,
    brays like unyielding rain. Always there is
    rope, but because no scripture says to tie
    a loop, because God makes no command

    to whip the lariat & noose the colt’s neck,
    because God chooses moths to gather
    like parishioners & sedge grasses to consecrate
    the fields, because God chooses silence…

    Now the coyote eats a chicken. At twilight,
    in the cottage windows, candles flicker & dim.
    The colt grows to stallion & thunders through
    the field & dust rises in the horizon. In every horizon.

    & if it matters to God, still He chooses to speak
    in symbol. If He is speaking. If He notices
    the stallion dreaming of its restless yearling hooves.
    If He is even watching. If He is there at all.

    READ MORE>

Featured Fiction

  • A Poem For Your Birthday

    Carmelinda Scian


    Vivas and kisses and embraces and tiny glasses filled with port wine that glistened like blood in the December sunshine and my uncle Rafael home too soon from college proposing a toast to the up-coming woman. This is what everyone is calling me today, Mulher-futura. I’m turning twelve.

    My face burns.

    Twice today.

    Early this morning, as my mother stirred the rice-pudding, as though the measure of her worth  as wife, mother, housekeeper, and the receptacle of womanly knowledge and experience depended on it, she said, “Listen Milita, dolls and silliness have to go now, your body will soon change. It’ll sprout quickly like a beanstalk and it’ll bleed; soon you’ll need a brassiere and other things. You’ll have to watch what you say and do in front of men. You mustn’t tempt them. Men can’t help themselves; it’s always the woman who’s to blame.”

    I wasn’t sure what it was I wasn’t supposed to say or do in front of men but I didn’t ask, the heat rising to my face like a sudden fever. Subtlety was never my Mother’s way. The aureola on my breasts had started enlarging and my nipples were itchy but I never said anything to anyone. How did my mother know? In the night, sometimes I touched myself. There were days when I couldn’t wait for night’s cover. This was my secret.

    READ MORE>

Featured Artist

  • Susan Bryant

    Susan Bryant is a fine art photographer. She received her BFA in painting in 1976 from Indiana University and her MFA in photography in 1978 from Indiana State University. She is a Professor Emerita of Art at Austin Peay State University in Clarksville, Tennessee, where she has taught photography for the past 30 years. Her personal work includes gelatin silver prints, hand-colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes). Her work has been widely exhibited across the United States in solo and juried exhibitions. She is the recipient of a Tennessee Arts Commission Fellowship and is represented by The Cumberland Gallery in Nashville, Tennessee.

    The Woods at Woodsmoor by Susan Bryant
    The Woods at Woodsmoor by Susan Bryant
    http://susanbryantphoto.com/ https://www.instagram.com/susanbryantphoto/

news & events


L.S. McKee Wins 2022 First Book Award in Poetry

Aram Goudsouzian
APSU to host virtual lecture with author Aram Goudsouzian

Victoria Chang
APSU to host an evening with poet and nonfiction writer Victoria Chang

An Evening with Bonnie Jo Campbell, Zone 3 and APSU
An Evening with National Book Award Finalist Bonnie Jo Campbell

contests

Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at Austin Peay State University with the contest judge.

Submit Work

Zone 3 Press publications are made available from the Zone 3 Store and your favorite booksellers.

Zone 3 Press books
Previous
Next

Volume 38, Issue 1

Spring 2023
  • The Woods at Woodsmoor by Susan Bryant
    The Woods at Woodsmoor by Susan Bryant
Nonfiction
Poetry
  • Glaze
    Simone Muench and Jackie K. White
Fiction
Interviews

editorial staff

Volume 38, Issue 1
  • Amy Wright
    Senior Editor
  • Casey Leffel
    Managing Editor
  • Stephanie Dugger
    Poetry Editor
  • Cherise Morris
    Nonfiction Editor
  • RS Deeren
    Fiction Editor
  • Etenia Mullins
    Assistant Poetry Editor
  • Maria Isabelle Carlos
    Assistant Nonfiction Editor
  • Dee Sloss
    Assistant Fiction Editor

readers

Featured Nonfiction

  • Seeking the Feral Feminine

    P.J. Powell


    I was withering in the suburban dead space between New York City and Philadelphia when I first learned of the wild woman archetype, courtesy of Clarissa Pinkola Estes’s Women Who Run With the Wolves. Something was wrong with me, deeply wrong, and my gut told me this book had the answer. The wild woman of Estes’s compilation knew how to nurture the garden of the self so she could share the fruits of those labors without depleting her fertile soil and going fallow. I longed for that vibrant inner and outer life, to connect with my inner wild woman so she could come into her own.

    I was the living dead. My advanced degree felt meaningless. My job had dimmed my inner light and stolen my breath. Estes said, if I could gather the bones from my past and sing over them, muscles and organs would spring forth. My four-footed, wild self would become wrapped in new flesh, grow a tawny, full coat, and come trotting along beside me. But how would I know which bones to pick up? I called to my imagination a feral godmother, a personal Baba Yaga whose christening gifts were a rib plucked from her side and a promise to check on me from time to time. If I could pinpoint her cameos in my past, perhaps I would know what to reclaim.

    At first, I floundered in the dusk of my memory. Movement flickered around my peripheral vision—perhaps she was dancing just then—but that could have been a sparrow. A scream pierced the night—perhaps she was singing to me—but that may have been the fox. Shine your light directly at her, and you won’t see her embodied. Pinning her down was like trying to see wind. But watch how the leaves tumble, and you’ll know the wind’s current form.

    READ MORE>

Featured Poem

  • & God Sends a Colt

    Ross White


    & God sends a colt. The colt’s mane flows
    like a river as it gallops wild through acres
    of grassland. & then God commands: build
    a saddle, toughen the leathers & smith the stirrups

    & buckles. Secure the rigging, puncture
    the cinch. From solid ivory, carve a horn whiter
    than the oblivion behind closed eyes.
    Lug the saddle to the post outside the corral.

    & when that’s done, the colt breaks through
    pasture & into the miles of woods, weaving
    between trees as if to display its & nimbleness.
    & the colt heeds no call, just runs & runs.

    & then God chooses silence as His answer.
    God chooses a butterfly, deep crimson
    & erratic, to tend the excitable breeze.
    No amount of waiting makes the foal submit,

    nor breaks him. When the sun breathes its last
    sigh over distant mountains, when like a seraphim
    the woman comes from the cottage
    to the hitching post with hardtack and coffee

    then guides herself back by candlelight,
    the colt does not buckle. When the coyote
    lurches like a drunkard through the field
    & past the corral, when the fireflies retire

    to scrub pine. When the sun tosses out its red anger
    & then its blinding yellow ache. The colt
    returns from the woods, gallops through pasture,
    approaches & retreats & approaches

    & rears & whinnies, unrelenting to stillness,
    brays like unyielding rain. Always there is
    rope, but because no scripture says to tie
    a loop, because God makes no command

    to whip the lariat & noose the colt’s neck,
    because God chooses moths to gather
    like parishioners & sedge grasses to consecrate
    the fields, because God chooses silence…

    Now the coyote eats a chicken. At twilight,
    in the cottage windows, candles flicker & dim.
    The colt grows to stallion & thunders through
    the field & dust rises in the horizon. In every horizon.

    & if it matters to God, still He chooses to speak
    in symbol. If He is speaking. If He notices
    the stallion dreaming of its restless yearling hooves.
    If He is even watching. If He is there at all.

    READ MORE>

Featured Fiction

  • A Poem For Your Birthday

    Carmelinda Scian


    Vivas and kisses and embraces and tiny glasses filled with port wine that glistened like blood in the December sunshine and my uncle Rafael home too soon from college proposing a toast to the up-coming woman. This is what everyone is calling me today, Mulher-futura. I’m turning twelve.

    My face burns.

    Twice today.

    Early this morning, as my mother stirred the rice-pudding, as though the measure of her worth  as wife, mother, housekeeper, and the receptacle of womanly knowledge and experience depended on it, she said, “Listen Milita, dolls and silliness have to go now, your body will soon change. It’ll sprout quickly like a beanstalk and it’ll bleed; soon you’ll need a brassiere and other things. You’ll have to watch what you say and do in front of men. You mustn’t tempt them. Men can’t help themselves; it’s always the woman who’s to blame.”

    I wasn’t sure what it was I wasn’t supposed to say or do in front of men but I didn’t ask, the heat rising to my face like a sudden fever. Subtlety was never my Mother’s way. The aureola on my breasts had started enlarging and my nipples were itchy but I never said anything to anyone. How did my mother know? In the night, sometimes I touched myself. There were days when I couldn’t wait for night’s cover. This was my secret.

    READ MORE>

Featured Artist

  • Susan Bryant

    Susan Bryant is a fine art photographer. She received her BFA in painting in 1976 from Indiana University and her MFA in photography in 1978 from Indiana State University. She is a Professor Emerita of Art at Austin Peay State University in Clarksville, Tennessee, where she has taught photography for the past 30 years. Her personal work includes gelatin silver prints, hand-colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes). Her work has been widely exhibited across the United States in solo and juried exhibitions. She is the recipient of a Tennessee Arts Commission Fellowship and is represented by The Cumberland Gallery in Nashville, Tennessee.

    The Woods at Woodsmoor by Susan Bryant
    The Woods at Woodsmoor by Susan Bryant
    http://susanbryantphoto.com/ https://www.instagram.com/susanbryantphoto/

news & events


L.S. McKee Wins 2022 First Book Award in Poetry

Aram Goudsouzian
APSU to host virtual lecture with author Aram Goudsouzian

Victoria Chang
APSU to host an evening with poet and nonfiction writer Victoria Chang

An Evening with Bonnie Jo Campbell, Zone 3 and APSU
An Evening with National Book Award Finalist Bonnie Jo Campbell

contests

Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at APSU with the contest judge.

Submit Work

Zone 3 Press publications are made available from the Zone 3 Store, small press distribution, and from Amazon.com.

Zone 3 Press books

Previous
Next
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