Volume 31, Issue 1
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POETRY Lana Austin • Aimée Baker • Erinn Batykefer • Alyse Bensel • Carol Berg • Bradly Sergio Brandt • John Davis • Merridawn Duckler • Charity Gingerich • Andrew Hemmert • Thomas Alan Holmes • Andrew Kozma • Kathryn Merwin • Kirsten Ogden • Karl Plank • Rebecca Givens Rolland • Britton Shurley • Cindy Veach FICTIONJames Braziel • Eric LaFountain • Michael McGlade • E. L. West NONFICTION J’Lyn Chapman • Kelle Groom • Lynn Kilpatrick TRANSLATIONS Patrick Donnelly • Stephen D. Miller GRAPHIC ESSAY Katie Schmitt INTERVIEWS Alison Hawthorne Deming ART Ajean Ryan
Erinn Batykefer
Once our mother pinned gold bumblebees
into the ruched hives of our bodices
and whispered to us: physics says the bumblebee
should not be able to fly, but it does,
and when we waded through the orchard’s
fallen-apple mush and the sugar-crazed bees
fanned their wings on our ankles,
we were fascinated; we did not shriek
or run. Years later, I found my pin and heard again,
in my sister’s missing voice, the story of a bee’s
impossible flight—its ungainly thorax and abdomen
somehow held aloft on frantic wings—
and saw how the physicists got it wrong: they only
measured half the bee. Flight is like a limb unreeled
over clover and vetch, each lone bumblebee
a fragment of the white box humming in a field.
In the orchard, once, we hovered in white
bee-pinned dresses, halved, one thing in two:
my cruel brain like a stinger, and in her chest our heart.
With what I’m made of, I should not love. But I do.
Ajean Ryan (she, hers) creates drawings, paintings, sculptures and installations based on the themes of abstraction, female identity and the domestic landscape. In her ongoing works she creates poetic metaphors of marks suspended in space using non-traditional drawing materials as well as traditional handicraft resources. Ajean received her BA in Fine Arts with a concentration in Painting from UCLA and then went to receive her MFA in Interdisciplinary Arts at UC Berkeley. She has exhibited nationally and internationally in museums, galleries as well as non-profit spaces. She has been the recipient of numerous awards and grants including the Pollock-Krasner Foundation Grant and the Creative Capital Workshop Grant. Ajean is an Associate Professor of Drawing at Colorado State University and currently lives in Loveland, Colorado.
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Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at Austin Peay State University with the contest judge.
Zone 3 Press publications are made available from the Zone 3 Store and your favorite booksellers.
POETRY Lana Austin • Aimée Baker • Erinn Batykefer • Alyse Bensel • Carol Berg • Bradly Sergio Brandt • John Davis • Merridawn Duckler • Charity Gingerich • Andrew Hemmert • Thomas Alan Holmes • Andrew Kozma • Kathryn Merwin • Kirsten Ogden • Karl Plank • Rebecca Givens Rolland • Britton Shurley • Cindy Veach FICTIONJames Braziel • Eric LaFountain • Michael McGlade • E. L. West NONFICTION J’Lyn Chapman • Kelle Groom • Lynn Kilpatrick TRANSLATIONS Patrick Donnelly • Stephen D. Miller GRAPHIC ESSAY Katie Schmitt INTERVIEWS Alison Hawthorne Deming ART Ajean Ryan
Erinn Batykefer
Once our mother pinned gold bumblebees
into the ruched hives of our bodices
and whispered to us: physics says the bumblebee
should not be able to fly, but it does,
and when we waded through the orchard’s
fallen-apple mush and the sugar-crazed bees
fanned their wings on our ankles,
we were fascinated; we did not shriek
or run. Years later, I found my pin and heard again,
in my sister’s missing voice, the story of a bee’s
impossible flight—its ungainly thorax and abdomen
somehow held aloft on frantic wings—
and saw how the physicists got it wrong: they only
measured half the bee. Flight is like a limb unreeled
over clover and vetch, each lone bumblebee
a fragment of the white box humming in a field.
In the orchard, once, we hovered in white
bee-pinned dresses, halved, one thing in two:
my cruel brain like a stinger, and in her chest our heart.
With what I’m made of, I should not love. But I do.
Ajean Ryan (she, hers) creates drawings, paintings, sculptures and installations based on the themes of abstraction, female identity and the domestic landscape. In her ongoing works she creates poetic metaphors of marks suspended in space using non-traditional drawing materials as well as traditional handicraft resources. Ajean received her BA in Fine Arts with a concentration in Painting from UCLA and then went to receive her MFA in Interdisciplinary Arts at UC Berkeley. She has exhibited nationally and internationally in museums, galleries as well as non-profit spaces. She has been the recipient of numerous awards and grants including the Pollock-Krasner Foundation Grant and the Creative Capital Workshop Grant. Ajean is an Associate Professor of Drawing at Colorado State University and currently lives in Loveland, Colorado.