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Zone 3 Literary Journal Spring 2023, Volume 38, Issue 1
Volume 38, Issue 1
Spring 2023

How to Eat an Orange; Letter to Be Opened Upon the Inevitable Event of My Death; The Peonies

How to Eat an Orange

A child cries out for oranges               hungers only for oranges
eats careless of juice careless of body
            Or perhaps I mean in full embodiment of these—Which is joy’s pinnacle?

She ate with abandon                         I mean she did the opposite of abandoning her body,
sat in it like a lord. In the wealth of herself. In splendor.
            But she had abandoned it—

her body strained against its limits to reach with every cell
for the bright smile of orange,
            juice running down her arm,
            that little dance she did to draw near to the plate,
            that heat that collects around what a body longs for most:

sunny globe and plate and knife slicing
into the very heart of sweetness.

Giving her body up so she could sneak back in under cover of carelessness.
Lord of herself turned thief of herself and finally lord of herself again.

(And I who have been so long a thrall to possession, false god
of lovers, false star
            in the multitude cloak of the firmament)


Letter to Be Opened Upon the Inevitable Event of My Death

That day in the kitchen
with the oranges

I had never seen anything
so holy as your hunger

and the way your body strained
toward it

If my ghost comes back
into your room at night

to crouch on the ceiling and stare
at you with eyes black with hunger

I do not mean to be the night mare
I only got lost on my way to the oranges,

to the kitchen, to your hand
reaching for mine, your voice calling more.

I will make more
I will build a whole universe

out of that moment
I will live in it a little while.

Margot the ghost is my hunger
the ghost is holy        

Margot there was not enough
world for how long I need to look at you

I wanted to tell you I think there’s nothing
after life

And the nothing is everything

Margot don’t be afraid, the first face you see
will be mine


The Peonies

I lied when I said beauty was no consolation;
it consoles me tonight

in the wet twilit neighborhood
where grief has driven me from my apartment

to seek the peonies in the stranger’s yard.
I’ve watched them shake themselves lightly

like birds whose plumage has been ruffled by rain,
and now they’re puffing themselves up,

trilling, making almost as much noise as the wealth
of sparrows and grackles decorating the trees,

and because grief is a blade pressed
against my skin (Oh Jill, how could you

have left us before my daughter
could make a memory of you to keep forever?),

the peonies seem to turn into flames flickering
in the deep night green of the bush,

flickering in concert with the pink light
of the day drained of its life, flickering

in a way another person might name “uncertainly”
but what I, pilgrim, come to be consoled, name

“divinely.” I stick my face into the heart of the god
flame. Fire both once and eternal, teach me

the scent of my surrender.

About Katie Schmid

Katie Schmid is the author of one book of poems, Nowhere (University of New Mexico Press), and is an NEA fellow in literature for 2023. She is currently at work on a second book of poems.

Zone 3 Literary Journal Spring 2023, Volume 38, Issue 1
Zone 3 Press, the literary magazine of Austin Peay State University
Volume 38, Issue 1
Spring 2023

How to Eat an Orange; Letter to Be Opened Upon the Inevitable Event of My Death; The Peonies

How to Eat an Orange

A child cries out for oranges               hungers only for oranges
eats careless of juice careless of body
            Or perhaps I mean in full embodiment of these—Which is joy’s pinnacle?

She ate with abandon                         I mean she did the opposite of abandoning her body,
sat in it like a lord. In the wealth of herself. In splendor.
            But she had abandoned it—

her body strained against its limits to reach with every cell
for the bright smile of orange,
            juice running down her arm,
            that little dance she did to draw near to the plate,
            that heat that collects around what a body longs for most:

sunny globe and plate and knife slicing
into the very heart of sweetness.

Giving her body up so she could sneak back in under cover of carelessness.
Lord of herself turned thief of herself and finally lord of herself again.

(And I who have been so long a thrall to possession, false god
of lovers, false star
            in the multitude cloak of the firmament)


Letter to Be Opened Upon the Inevitable Event of My Death

That day in the kitchen
with the oranges

I had never seen anything
so holy as your hunger

and the way your body strained
toward it

If my ghost comes back
into your room at night

to crouch on the ceiling and stare
at you with eyes black with hunger

I do not mean to be the night mare
I only got lost on my way to the oranges,

to the kitchen, to your hand
reaching for mine, your voice calling more.

I will make more
I will build a whole universe

out of that moment
I will live in it a little while.

Margot the ghost is my hunger
the ghost is holy        

Margot there was not enough
world for how long I need to look at you

I wanted to tell you I think there’s nothing
after life

And the nothing is everything

Margot don’t be afraid, the first face you see
will be mine


The Peonies

I lied when I said beauty was no consolation;
it consoles me tonight

in the wet twilit neighborhood
where grief has driven me from my apartment

to seek the peonies in the stranger’s yard.
I’ve watched them shake themselves lightly

like birds whose plumage has been ruffled by rain,
and now they’re puffing themselves up,

trilling, making almost as much noise as the wealth
of sparrows and grackles decorating the trees,

and because grief is a blade pressed
against my skin (Oh Jill, how could you

have left us before my daughter
could make a memory of you to keep forever?),

the peonies seem to turn into flames flickering
in the deep night green of the bush,

flickering in concert with the pink light
of the day drained of its life, flickering

in a way another person might name “uncertainly”
but what I, pilgrim, come to be consoled, name

“divinely.” I stick my face into the heart of the god
flame. Fire both once and eternal, teach me

the scent of my surrender.

Volume 38, Issue 1
Spring 2023

How to Eat an Orange; Letter to Be Opened Upon the Inevitable Event of My Death; The Peonies

How to Eat an Orange

A child cries out for oranges               hungers only for oranges
eats careless of juice careless of body
            Or perhaps I mean in full embodiment of these—Which is joy’s pinnacle?

She ate with abandon                         I mean she did the opposite of abandoning her body,
sat in it like a lord. In the wealth of herself. In splendor.
            But she had abandoned it—

her body strained against its limits to reach with every cell
for the bright smile of orange,
            juice running down her arm,
            that little dance she did to draw near to the plate,
            that heat that collects around what a body longs for most:

sunny globe and plate and knife slicing
into the very heart of sweetness.

Giving her body up so she could sneak back in under cover of carelessness.
Lord of herself turned thief of herself and finally lord of herself again.

(And I who have been so long a thrall to possession, false god
of lovers, false star
            in the multitude cloak of the firmament)


Letter to Be Opened Upon the Inevitable Event of My Death

That day in the kitchen
with the oranges

I had never seen anything
so holy as your hunger

and the way your body strained
toward it

If my ghost comes back
into your room at night

to crouch on the ceiling and stare
at you with eyes black with hunger

I do not mean to be the night mare
I only got lost on my way to the oranges,

to the kitchen, to your hand
reaching for mine, your voice calling more.

I will make more
I will build a whole universe

out of that moment
I will live in it a little while.

Margot the ghost is my hunger
the ghost is holy        

Margot there was not enough
world for how long I need to look at you

I wanted to tell you I think there’s nothing
after life

And the nothing is everything

Margot don’t be afraid, the first face you see
will be mine


The Peonies

I lied when I said beauty was no consolation;
it consoles me tonight

in the wet twilit neighborhood
where grief has driven me from my apartment

to seek the peonies in the stranger’s yard.
I’ve watched them shake themselves lightly

like birds whose plumage has been ruffled by rain,
and now they’re puffing themselves up,

trilling, making almost as much noise as the wealth
of sparrows and grackles decorating the trees,

and because grief is a blade pressed
against my skin (Oh Jill, how could you

have left us before my daughter
could make a memory of you to keep forever?),

the peonies seem to turn into flames flickering
in the deep night green of the bush,

flickering in concert with the pink light
of the day drained of its life, flickering

in a way another person might name “uncertainly”
but what I, pilgrim, come to be consoled, name

“divinely.” I stick my face into the heart of the god
flame. Fire both once and eternal, teach me

the scent of my surrender.

About Katie Schmid

Katie Schmid is the author of one book of poems, Nowhere (University of New Mexico Press), and is an NEA fellow in literature for 2023. She is currently at work on a second book of poems.