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Volume 39, Issue 1
Volume 39, Issue 1

Gravida 5.1

During the ultrasound appointment, where I spot a chart that names me gravida 4—doctor-speak for the heaviness of my two liveborn girls, past miscarriage, and bulging uterus—and where the doctor rubs his hands and chuckles Ten weeks! We’re gonna see a big baby! before his smile vanishes and he asks if I might be mistaken about the conception date, the doctor also says, after this disaster, I could wait a full cycle and try again, and I nod and thank him, but I know I won’t wait

because I’m racing menopause, racing the dwindling eggs in my ovaries, and so, as soon as my just-emptied body tells me it’s ovulating, I read Lydia and Miriam to sleep and have sex with my husband, and a 5.1 earthquake strikes right as we finish, rattling alphabet books on the nightstand, a print of cattle on the wall above us, the flesh on our early-forties bodies, and we both believe it’s a sign from the universe, Oklahoma’s earthquake-creating frackers, or maybe God, 

who soaked a scrap of lambswool but not the ground under it at a sign-request from Gideon, namesake of the name I plan to give a child if cells knit into a child, because it slant-rhymes with Lydia and Miriam, because, despite my enthusiasm for unicorns, pigtails, and ceramic teacups, I believe—thanks to internalized patriarchy plus my desire to relive the childhood of my eleven-years-buried younger brother—all my pregnancies are boys until they’re declared female or dead, 

and that sign signals baby Gideon himself, and first a pregnancy, one of those magic-quick-to-come pregnancies that erase previous heartbreak, a pregnancy I, who took four couch-clinging months to conceive after I quit being gravida 2, suppose would be filled with equal parts anxiety and laughter, and then carsickness! fall-on-the-sidewalk dizziness! no period! positive test! and I name myself gravida 5, no! gravida 5.1! gravida so buoyant heaviness is irrelevant, gravida that shakes 

like the earth under Gideon when he, with the confidence of wet wool, feigned a multitude with three hundred by smashing pitchers, waving torches, blowing trumpets, and shouting, but before I take progesterone, prescription for multiple miscarriers, I request viability-checking bloodwork, sign-trusting yet afraid of courting side effects for a pregnancy unreal as Gideon’s army, afraid because doom-scrolling informed me the hormone can trap blastocysts, embryos, feti, dead and rotting

instead of keeping a live baby live, and so I enter the testing lab, let an inexperienced phlebotomist puncture my arm, while ten feet away, a basketball-bellied young woman answers her own tester’s How are ya today? with Well I’m definitely pregnant, and tired of it, and I try not to hate her because I’ve been there, but I can’t quite manage it, and dread rises for twenty-four sleep-free hours until MyChart says I also am definitely pregnant, but with numbers so low 

there’s no hope, so I shut myself in my bathroom, collapse by the toilet, and cry softly enough I won’t alarm my toddlers, cry softly enough I could hear them crying, then I strap both girls into car seats and drive to the pharmacy, pay sixty bucks, risk the rot, press white capsules into my vaginal wall until pink crotch-burning discharge coats my panties, curse desperation and earthquakes until chunky clots come as relief, but then months pass, and I believe again in the power 

of my 5.1 sign, because when I think miscarriage, I almost never think earthquake, only stress-eating chips before that ten-week ultrasound, only grasping my girls’ warm bodies afterwards and breathing You’re miracles, only trembling face down on church carpet after gravida 2, only passing gravida 4 tissue into sweatpants while doped up and watching magic tricks on TV, and I’m able to ignore my ovaries, enjoy my unpregnant middle-aged body, hug my miracles and breathe. 

About Sara Beth Childers

Sarah Beth Childers is the author of two essay collections, Shake Terribly the Earth: Stories from an Appalachian Family and Prodigals: A Sister’s Memoir of Appalachia and Loss. Her work has also appeared in journals including Brevity, Colorado Review, the Florida Review, and Cream City Review. She lives with her husband, two daughters, and an old dog and ancient cat in Stillwater, Oklahoma, where she teaches creative nonfiction and directs the creative writing program at Oklahoma State University.

Zone 3 Press, the literary magazine of Austin Peay State University
Volume 39, Issue 1
Volume 39, Issue 1

Gravida 5.1

During the ultrasound appointment, where I spot a chart that names me gravida 4—doctor-speak for the heaviness of my two liveborn girls, past miscarriage, and bulging uterus—and where the doctor rubs his hands and chuckles Ten weeks! We’re gonna see a big baby! before his smile vanishes and he asks if I might be mistaken about the conception date, the doctor also says, after this disaster, I could wait a full cycle and try again, and I nod and thank him, but I know I won’t wait

because I’m racing menopause, racing the dwindling eggs in my ovaries, and so, as soon as my just-emptied body tells me it’s ovulating, I read Lydia and Miriam to sleep and have sex with my husband, and a 5.1 earthquake strikes right as we finish, rattling alphabet books on the nightstand, a print of cattle on the wall above us, the flesh on our early-forties bodies, and we both believe it’s a sign from the universe, Oklahoma’s earthquake-creating frackers, or maybe God, 

who soaked a scrap of lambswool but not the ground under it at a sign-request from Gideon, namesake of the name I plan to give a child if cells knit into a child, because it slant-rhymes with Lydia and Miriam, because, despite my enthusiasm for unicorns, pigtails, and ceramic teacups, I believe—thanks to internalized patriarchy plus my desire to relive the childhood of my eleven-years-buried younger brother—all my pregnancies are boys until they’re declared female or dead, 

and that sign signals baby Gideon himself, and first a pregnancy, one of those magic-quick-to-come pregnancies that erase previous heartbreak, a pregnancy I, who took four couch-clinging months to conceive after I quit being gravida 2, suppose would be filled with equal parts anxiety and laughter, and then carsickness! fall-on-the-sidewalk dizziness! no period! positive test! and I name myself gravida 5, no! gravida 5.1! gravida so buoyant heaviness is irrelevant, gravida that shakes 

like the earth under Gideon when he, with the confidence of wet wool, feigned a multitude with three hundred by smashing pitchers, waving torches, blowing trumpets, and shouting, but before I take progesterone, prescription for multiple miscarriers, I request viability-checking bloodwork, sign-trusting yet afraid of courting side effects for a pregnancy unreal as Gideon’s army, afraid because doom-scrolling informed me the hormone can trap blastocysts, embryos, feti, dead and rotting

instead of keeping a live baby live, and so I enter the testing lab, let an inexperienced phlebotomist puncture my arm, while ten feet away, a basketball-bellied young woman answers her own tester’s How are ya today? with Well I’m definitely pregnant, and tired of it, and I try not to hate her because I’ve been there, but I can’t quite manage it, and dread rises for twenty-four sleep-free hours until MyChart says I also am definitely pregnant, but with numbers so low 

there’s no hope, so I shut myself in my bathroom, collapse by the toilet, and cry softly enough I won’t alarm my toddlers, cry softly enough I could hear them crying, then I strap both girls into car seats and drive to the pharmacy, pay sixty bucks, risk the rot, press white capsules into my vaginal wall until pink crotch-burning discharge coats my panties, curse desperation and earthquakes until chunky clots come as relief, but then months pass, and I believe again in the power 

of my 5.1 sign, because when I think miscarriage, I almost never think earthquake, only stress-eating chips before that ten-week ultrasound, only grasping my girls’ warm bodies afterwards and breathing You’re miracles, only trembling face down on church carpet after gravida 2, only passing gravida 4 tissue into sweatpants while doped up and watching magic tricks on TV, and I’m able to ignore my ovaries, enjoy my unpregnant middle-aged body, hug my miracles and breathe. 

Volume 39, Issue 1
Volume 39, Issue 1

Gravida 5.1

During the ultrasound appointment, where I spot a chart that names me gravida 4—doctor-speak for the heaviness of my two liveborn girls, past miscarriage, and bulging uterus—and where the doctor rubs his hands and chuckles Ten weeks! We’re gonna see a big baby! before his smile vanishes and he asks if I might be mistaken about the conception date, the doctor also says, after this disaster, I could wait a full cycle and try again, and I nod and thank him, but I know I won’t wait

because I’m racing menopause, racing the dwindling eggs in my ovaries, and so, as soon as my just-emptied body tells me it’s ovulating, I read Lydia and Miriam to sleep and have sex with my husband, and a 5.1 earthquake strikes right as we finish, rattling alphabet books on the nightstand, a print of cattle on the wall above us, the flesh on our early-forties bodies, and we both believe it’s a sign from the universe, Oklahoma’s earthquake-creating frackers, or maybe God, 

who soaked a scrap of lambswool but not the ground under it at a sign-request from Gideon, namesake of the name I plan to give a child if cells knit into a child, because it slant-rhymes with Lydia and Miriam, because, despite my enthusiasm for unicorns, pigtails, and ceramic teacups, I believe—thanks to internalized patriarchy plus my desire to relive the childhood of my eleven-years-buried younger brother—all my pregnancies are boys until they’re declared female or dead, 

and that sign signals baby Gideon himself, and first a pregnancy, one of those magic-quick-to-come pregnancies that erase previous heartbreak, a pregnancy I, who took four couch-clinging months to conceive after I quit being gravida 2, suppose would be filled with equal parts anxiety and laughter, and then carsickness! fall-on-the-sidewalk dizziness! no period! positive test! and I name myself gravida 5, no! gravida 5.1! gravida so buoyant heaviness is irrelevant, gravida that shakes 

like the earth under Gideon when he, with the confidence of wet wool, feigned a multitude with three hundred by smashing pitchers, waving torches, blowing trumpets, and shouting, but before I take progesterone, prescription for multiple miscarriers, I request viability-checking bloodwork, sign-trusting yet afraid of courting side effects for a pregnancy unreal as Gideon’s army, afraid because doom-scrolling informed me the hormone can trap blastocysts, embryos, feti, dead and rotting

instead of keeping a live baby live, and so I enter the testing lab, let an inexperienced phlebotomist puncture my arm, while ten feet away, a basketball-bellied young woman answers her own tester’s How are ya today? with Well I’m definitely pregnant, and tired of it, and I try not to hate her because I’ve been there, but I can’t quite manage it, and dread rises for twenty-four sleep-free hours until MyChart says I also am definitely pregnant, but with numbers so low 

there’s no hope, so I shut myself in my bathroom, collapse by the toilet, and cry softly enough I won’t alarm my toddlers, cry softly enough I could hear them crying, then I strap both girls into car seats and drive to the pharmacy, pay sixty bucks, risk the rot, press white capsules into my vaginal wall until pink crotch-burning discharge coats my panties, curse desperation and earthquakes until chunky clots come as relief, but then months pass, and I believe again in the power 

of my 5.1 sign, because when I think miscarriage, I almost never think earthquake, only stress-eating chips before that ten-week ultrasound, only grasping my girls’ warm bodies afterwards and breathing You’re miracles, only trembling face down on church carpet after gravida 2, only passing gravida 4 tissue into sweatpants while doped up and watching magic tricks on TV, and I’m able to ignore my ovaries, enjoy my unpregnant middle-aged body, hug my miracles and breathe. 

About Sara Beth Childers

Sarah Beth Childers is the author of two essay collections, Shake Terribly the Earth: Stories from an Appalachian Family and Prodigals: A Sister’s Memoir of Appalachia and Loss. Her work has also appeared in journals including Brevity, Colorado Review, the Florida Review, and Cream City Review. She lives with her husband, two daughters, and an old dog and ancient cat in Stillwater, Oklahoma, where she teaches creative nonfiction and directs the creative writing program at Oklahoma State University.