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Volume 39, Issue 1
Volume 39, Issue 1

playing nina mikhailovna

at first—a pool of stillness, you in white 
you step into a circle of light

*
you & the boy on black water shimmering

*

& in the boy’s eyes you see the first
boy. leaning by the water—looking. earth
inside his iris, pulling—parting. he sees
the flame in his eyes and wants to be deeper,
he dives. the boy swimming down a boy. sky
rippling in his place—then applauding—rain

*
the seagull lies dead at your feet. again,
the boy is backstage, polishing the gun.
as droplets watch from the black, you run off
you wait in a dark hallway for the shot.

*

in this silence, your grandmother rises like magma

*

it fires— the lights blink on—you & the boy
in the rain, you hold hands—briefly—and bow

*

two candles by the deep end, flickering

*

the moon in your pool, your feet dangling
by his feet—the boy looks in you—the blade
of your body breaking, softer—softer

*
floating—one floral shirt, two slippers

*
but you’re in the green now. look— the boy pulling
you out. you’re seven, he’s seven, you’re soaring
down a hill in a red wagon, saying higher higher

About Natalie Ezelle

Natalie Ezelle is the recipient of the Sarah B. Marsh-Rebelo Fellowship. Her poems can be found in The Catalyst and Bicoastal Review. When she is not writing, she is a tutor, a substitute teacher, and a dance coach for elementary students.

Zone 3 Press, the literary magazine of Austin Peay State University
Volume 39, Issue 1
Volume 39, Issue 1

playing nina mikhailovna

at first—a pool of stillness, you in white 
you step into a circle of light

*
you & the boy on black water shimmering

*

& in the boy’s eyes you see the first
boy. leaning by the water—looking. earth
inside his iris, pulling—parting. he sees
the flame in his eyes and wants to be deeper,
he dives. the boy swimming down a boy. sky
rippling in his place—then applauding—rain

*
the seagull lies dead at your feet. again,
the boy is backstage, polishing the gun.
as droplets watch from the black, you run off
you wait in a dark hallway for the shot.

*

in this silence, your grandmother rises like magma

*

it fires— the lights blink on—you & the boy
in the rain, you hold hands—briefly—and bow

*

two candles by the deep end, flickering

*

the moon in your pool, your feet dangling
by his feet—the boy looks in you—the blade
of your body breaking, softer—softer

*
floating—one floral shirt, two slippers

*
but you’re in the green now. look— the boy pulling
you out. you’re seven, he’s seven, you’re soaring
down a hill in a red wagon, saying higher higher
Volume 39, Issue 1
Volume 39, Issue 1

playing nina mikhailovna

at first—a pool of stillness, you in white 
you step into a circle of light

*
you & the boy on black water shimmering

*

& in the boy’s eyes you see the first
boy. leaning by the water—looking. earth
inside his iris, pulling—parting. he sees
the flame in his eyes and wants to be deeper,
he dives. the boy swimming down a boy. sky
rippling in his place—then applauding—rain

*
the seagull lies dead at your feet. again,
the boy is backstage, polishing the gun.
as droplets watch from the black, you run off
you wait in a dark hallway for the shot.

*

in this silence, your grandmother rises like magma

*

it fires— the lights blink on—you & the boy
in the rain, you hold hands—briefly—and bow

*

two candles by the deep end, flickering

*

the moon in your pool, your feet dangling
by his feet—the boy looks in you—the blade
of your body breaking, softer—softer

*
floating—one floral shirt, two slippers

*
but you’re in the green now. look— the boy pulling
you out. you’re seven, he’s seven, you’re soaring
down a hill in a red wagon, saying higher higher

About Natalie Ezelle

Natalie Ezelle is the recipient of the Sarah B. Marsh-Rebelo Fellowship. Her poems can be found in The Catalyst and Bicoastal Review. When she is not writing, she is a tutor, a substitute teacher, and a dance coach for elementary students.