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Volume 34, Issue 1

Nonfiction

editorial staff

Volume 34, Issue 1
  • Andrea Spofford
    Poetry Editor
  • Barry Kitterman
    Fiction Editor
  • Stephanie Dugger
    Assistant Poetry Editor
  • Amy Wright
    Fiction Editor

readers

  • Forest Floor, by Billy Renkl
    Forest Floor, by Billy Renkl
Issue Authors

Zone 3 Spring 2019

Featuring work by

POETRY Sarah Bates • Brandon Jordan Brown • Caylin Capra-Thomas • Dorsey Craft • Aya Elizabeth • Andie Francis • L.I. Henley • Rage Hezekiah • Patrick Hicks • Danielle Jones • Jennifer MacBain-Stephens • Julia Paganelli Marin • Derek Otsuji • Laura Passin • Valerie Perreault • Karl Plank • Jennifer Pruiett-Selby • Jeremy Michael Reed • Dana Robbins • Samantha Tetangco • Sally Yazwinski FICTION William Cass • Richard Dokey • Susan Frith • Robert Kostuck NONFICTION Sarah Fawn Montgomery • Brenda Miller • Julie Marie Wade ART Billy Renkl

Featured Nonfiction
  • In Praise Of The Plains

    Sarah Fawn Montgomery


    In summer, Nebraska skies splinter, lightning wrecking the blue dome, splintering it to shards. Storms come on sudden, though the birds know and take to skies in a cackle, wings beating warning. At first, storms seep in yellow at the horizon’s edge before blackening the afternoon, barometrics pressing down, and a funnel forms, twisting like a child’s cartoon tangle angling towards town. Sirens wail, hail dents car hoods, a tree goes through the ceiling, nature overtaking the living room, dripping wet and verdant. And visible through the branches and open ceiling?—a fearsome sky wracked with fire.

    When I moved to the Great Plains from California’s central coast, where the shoreline dips like the dimple of a lover’s flesh, the estuary foggy and safe, the weather moderate, I was fascinated and terrified. On the coast, summers were temperate, peaking in the 80s, night lows sinking to the 60s, and rain ruined the beach for picnickers, who soaked up sun on Sunday, their deepening tans the only indicator the earth was turning, that the sandy moment was not the center of the universe. Kelp washed in with the waves, great undersea forests easily uprooted to line the beach with their briny smell, and ice plants dotted the sand with their succulent flesh and bright flowers, though why they were named for a cold that never came, we did not know. Winters, too, were mild, reaching lows of 40, highs in the 60s, sometimes the 70s, and picnickers still lined the beaches, wrapped in blankets as they fed gulls bits of bread, surfers still paddling out on the waves still rushing in. Always, the weather was constant, controlled, in part, by the tides lapping easily at the shore.

    It was easy to love this place, a benign landscape designed for leisure, a charming backdrop for the seasons of your life, captured in photos shared with the caption #blessed. To love something that serves your pleasure is not difficult—doing so is to love ease, comfort, perhaps control. California, as far as we were concerned, existed solely to be beautiful.

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Featured Artist
  • Billy Renkl

    I grew up in Birmingham, AL. I attended Auburn University (BFA, Visual Communications) and the University of South Carolina (MFA, Drawing). I teach drawing and illustration at Austin Peay State University in Clarksville, TN.My work has been featured in many solo and group exhibitions, including solo shows at The Cumberland Gallery (Nashville, TN), Marguerite Oestreicher Fine Arts (New Orleans), Vanderbilt University, The University of Kentucky, The Tennessee Arts Commission, and the Galerie Neue Raume (Berlin, Germany). I am represented in several permanent collections, including The University of Alabama at Birmingham, Kiwanis Club International, The Tennessee State Museum, and The College of Notre Dame, Baltimore.In addition to gallery exhibitions, I have worked with many clients on illustration assignments, including SouthWest Airlines, How Magazine, Vanderbilt University, Klutz Inc., Strategy & Business, The River Styx, Poems and Plays, and Rigby Publishing.

    Forest Floor, by Billy Renkl
    Forest Floor, by Billy Renkl
    http://www.billyrenkl.com/

news & events

contests

Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at Austin Peay State University with the contest judge.

Zone 3 Press publications are made available from the Zone 3 Store and your favorite booksellers.

Nonfiction

editorial staff

Issue Authors

Zone 3 Spring 2019

Featuring work by

POETRY Sarah Bates • Brandon Jordan Brown • Caylin Capra-Thomas • Dorsey Craft • Aya Elizabeth • Andie Francis • L.I. Henley • Rage Hezekiah • Patrick Hicks • Danielle Jones • Jennifer MacBain-Stephens • Julia Paganelli Marin • Derek Otsuji • Laura Passin • Valerie Perreault • Karl Plank • Jennifer Pruiett-Selby • Jeremy Michael Reed • Dana Robbins • Samantha Tetangco • Sally Yazwinski FICTION William Cass • Richard Dokey • Susan Frith • Robert Kostuck NONFICTION Sarah Fawn Montgomery • Brenda Miller • Julie Marie Wade ART Billy Renkl

Featured Nonfiction
  • In Praise Of The Plains

    Sarah Fawn Montgomery



    ”In summer, Nebraska skies splinter, lightning wrecking the blue dome, splintering it to shards. Storms come on sudden, though the birds know and take to skies in a cackle, wings beating warning.”

    READ MORE>

Featured Artist
  • Billy Renkl

    I grew up in Birmingham, AL. I attended Auburn University (BFA, Visual Communications) and the University of South Carolina (MFA, Drawing). I teach drawing and illustration at Austin Peay State University in Clarksville, TN.My work has been featured in many solo and group exhibitions, including solo shows at The Cumberland Gallery (Nashville, TN), Marguerite Oestreicher Fine Arts (New Orleans), Vanderbilt University, The University of Kentucky, The Tennessee Arts Commission, and the Galerie Neue Raume (Berlin, Germany). I am represented in several permanent collections, including The University of Alabama at Birmingham, Kiwanis Club International, The Tennessee State Museum, and The College of Notre Dame, Baltimore.In addition to gallery exhibitions, I have worked with many clients on illustration assignments, including SouthWest Airlines, How Magazine, Vanderbilt University, Klutz Inc., Strategy & Business, The River Styx, Poems and Plays, and Rigby Publishing.

    Forest Floor, by Billy Renkl
    Forest Floor, by Billy Renkl
    http://www.billyrenkl.com/