Volume 36, Issue 2
editorial staff
readers
POETRY Chris Crowder • Athena Nassar • Daniel Garcia • Mel Sherrer • Marissa Ahmadkhani • Bernardo Wade • Eric Tran • Mario Duarte • .chisaraokwu • Marcus Jamison • Sherrel McLafferty • Lucy Zhang • Devon Miller-Duggan • Jed Munson • Sloan Asakura • Kenneth Robert Chacón • Aaron El Sabrout • Hayun Cho • Grace Li • Joanne Mosuela • Yvonne • Babette Cieskowski • Michél Claudio • Deidra Suwanee Dees, Ed.D. • Abu Bakr Sadiq • Nnadi Samuel • Hermelinda Hernandez Monjaras • Grace Q. Song • NOVA CYPRESS BLACK • Siew David Hii • Jessica Kim • Veeda Khan • Tiffany Hsieh • Lucie Pereira • Arnisha Royston • Deven Philbrick • Willie Lin • Haro Lee • Hiba Tahir • henry 7. reneau, jr. • Schyler Butler • Shreya Vikram • Ayesha Asad • Ron Riekki • Brian Francis FICTION Allen Gee • James Stewart III • Rahul Mitra • PS Zhang • Damyanti Biswas • Tim Bascom • Ibrahim Babátúndé Ibrahim • Gemini Wahhaj NONFICTION Allen M. Price • Gwendolyn Paradice • Matthew E. Henry • Leslie-Ann Murray • Julius Lobo • Liana Jahan Imam • Lorraine M. López INTERVIEWS Lorraine M. López ART Raven Jackson
Allen M. Price
On the day it was reported that Jacob Blake was handcuffed to his hospital bed, paralyzed from the waist down after being shot in the back seven times by a Wisconsin police officer, my mother called me upset, and said, “We should give up on this land and move to another country because America’ll never accept Black people. America’ll always see us as subhuman.” She had just finished listening to video clips of film director Spike Lee and Los Angeles Clippers head coach Doc Rivers say the same thing. My sixty-six-year-old mother retired from Rhode Island Hospital on February 21, two days before twenty-five-year old Ahmaud Arbery was fatally shot while jogging in Glen County Georgia by Travis McMichael and his father Gregory who after killing Ahmaud spit on him and called him a “fuckin nigger.” Just three weeks later, on March 13, three Louisville police officers fired twenty-six rounds of out of control bullets into Breonna Taylor’s apartment and neighboring homes, striking her five times. For at least five minutes the twenty-six-year-old EMT lay where she fell in her hallway coughing, gasping, dying, receiving no medical attention for more than twenty minutes, according to the dispatch logs. Three months after that, on Memorial Day, Minnesota police officer, Derek Michael Chavin knelt on George Floyd’s neck for eight minutes and forty-six seconds while George repeatedly said, “I can’t breathe”, and shouted, “Mama, Mama…I’m through!” to his mother who was deceased.
The years we spent struggling, fighting to financially stay alive had been as hard as the fight and struggle to be accepted by white caste society. For most of my life my mother had two, sometimes three jobs. Now in retirement she was going to need a part-time job to supplement her social security income that didn’t provide enough money to pay all her monthly bills. Up until I was fourteen, we couldn’t afford to empty the cesspool more than once a year, only allowing me to take a shower on Sunday’s, the rest of the week I washed up in the bathroom sink with a face cloth. I was also only able to flush the toilet after going poop. Never once did I hear my mother blame white America for it. She went on finding ways to make ends meet, picking up a job here, a job there to the point that I became a latchkey kid at six years old, letting myself in the house after school, cooking my dinner, taking care of my springer spaniel dog, Lady, putting myself to bed, and not seeing my mother until the next morning.
READ MORE>Raven Jackson is an award-winning filmmaker, poet, and photographer from Tennessee. Her work often explores landscapes of indefinable experiences and emotions, as well as the body’s relationship to nature. A participant of Film at Lincoln Center’s Artist Academy during the 57th New York Film Festival, her debut narrative feature, All Dirt Roads Taste of Salt, made in partnership with PASTEL and A24, premiered in the US Dramatic Competition at the 2023 Sundance Film Festival, and has received support from Cinereach, SFFILM, the Gotham, Film Independent, Tribeca Film Institute, New Orleans Film Society, Kenneth Rainin Foundation, and Westridge Foundation. The film was also one of five selected for the Ikusmira Berriak Residency in San Sebastián, Spain, and was handpicked by Barry Jenkins for Indie Memphis’ 2019 Black Filmmaker Residency for Screenwriting.
http://raven-jackson.com/ https://www.instagram.com/dopevibrations/news & events
contests
Zone 3 Press sponsors two book competitions: The Zone 3 Press First Book Award in Poetry and The Zone 3 Press Creative Nonfiction Book Award. Winners receive $1,000 and publication of their book, as well as an invitation to give a joint reading at Austin Peay State University with the contest judge.
Zone 3 Press publications are made available from the Zone 3 Store and your favorite booksellers.
POETRY Chris Crowder • Athena Nassar • Daniel Garcia • Mel Sherrer • Marissa Ahmadkhani • Bernardo Wade • Eric Tran • Mario Duarte • .chisaraokwu • Marcus Jamison • Sherrel McLafferty • Lucy Zhang • Devon Miller-Duggan • Jed Munson • Sloan Asakura • Kenneth Robert Chacón • Aaron El Sabrout • Hayun Cho • Grace Li • Joanne Mosuela • Yvonne • Babette Cieskowski • Michél Claudio • Deidra Suwanee Dees, Ed.D. • Abu Bakr Sadiq • Nnadi Samuel • Hermelinda Hernandez Monjaras • Grace Q. Song • NOVA CYPRESS BLACK • Siew David Hii • Jessica Kim • Veeda Khan • Tiffany Hsieh • Lucie Pereira • Arnisha Royston • Deven Philbrick • Willie Lin • Haro Lee • Hiba Tahir • henry 7. reneau, jr. • Schyler Butler • Shreya Vikram • Ayesha Asad • Ron Riekki • Brian Francis FICTION Allen Gee • James Stewart III • Rahul Mitra • PS Zhang • Damyanti Biswas • Tim Bascom • Ibrahim Babátúndé Ibrahim • Gemini Wahhaj NONFICTION Allen M. Price • Gwendolyn Paradice • Matthew E. Henry • Leslie-Ann Murray • Julius Lobo • Liana Jahan Imam • Lorraine M. López INTERVIEWS Lorraine M. López ART Raven Jackson
Allen M. Price
“On the day it was reported that Jacob Blake was handcuffed to his hospital bed, paralyzed from the waist down after being shot in the back seven times by a Wisconsin police officer, my mother called me upset, and said, ‘We should give up on this land and move to another country because America’ll never accept Black people. America’ll always see us as subhuman.’”
READ MORE>Raven Jackson is an award-winning filmmaker, poet, and photographer from Tennessee. Her work often explores landscapes of indefinable experiences and emotions, as well as the body’s relationship to nature. A participant of Film at Lincoln Center’s Artist Academy during the 57th New York Film Festival, her debut narrative feature, All Dirt Roads Taste of Salt, made in partnership with PASTEL and A24, premiered in the US Dramatic Competition at the 2023 Sundance Film Festival, and has received support from Cinereach, SFFILM, the Gotham, Film Independent, Tribeca Film Institute, New Orleans Film Society, Kenneth Rainin Foundation, and Westridge Foundation. The film was also one of five selected for the Ikusmira Berriak Residency in San Sebastián, Spain, and was handpicked by Barry Jenkins for Indie Memphis’ 2019 Black Filmmaker Residency for Screenwriting.
http://raven-jackson.com/ https://www.instagram.com/dopevibrations/