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Volume 39, Issue 1
Volume 39, Issue 1

Seven of the Bonus Stages of Grief

I
There will come a day,
trust me on this,
when you text your housemate-enemy-crush
to see if ze could bike by Star after hir shift
to grab some extra chips and mixers,
and no part of you plans what you’ll journal
if ze’s struck and killed on that half mile.

II
There will come a day
when you can half-smile at unexpected fireworks
and unfamiliar men, when you see an empty
stroller as just the thing it is, when you hold
your keys like you would hold a dandelion,
when unsurprising words for death are peacefully,
it was her time, and in their sleep, when knocking
wood’s a charming, dying quirk of grandmothers.

III

There will come a day,
I promise you, I promise you, I promise you there will,
when the Council of Grandmothers’ grandmothers knock

and you look through the peephole, and right at the peephole
is the fiercest crone eye of the savoriest brown.

So you put on the kettle, pull out the spare blankets,
while the softest gran coos at your cat, and the others
dismantle your faucets and cure the slow leaks. Each
takes her moment to tell you you’re quick enough,
and beautiful and good enough, such a catch,

and this day that’s come’s the day you can believe them.

And each holds your hand in her petals of hands
and kisses it. ‘Til your skin’s threadbare with kisses.

IV
There will come a day
when you wake to find a trumpet on your lips,

the junky crumpled trumpet of your threadbare desperate longing,
and you woke because you blew it, and a shining trash city

descends from the heavens on tag-sale rockets, landing rough
astride the highways, just where no one wanted

a city of your garbage in a grass-stained gown, and the city’s nickname
is your seventh-grade nickname,

and you take every interview, upright and unafraid.

V
There will come a day
when you’re fearlessly surfing hot mile-up winds
on a skyboard tied to a skeleton eagle—
he’s not dead, just wicked metal—

and you (and your unfeathered friend) wear nothing
but your helmet and your knee pads—
it’s not a dream, you’ve graduated, you have
your usual teeth, you’re only pregnant if you want,
there are no lines to know, but yeah, you’re naked—

as if it’s the simplest thing to be naked
when your body completely belongs to you,
when you’ve made it yourself
with your self-made hands,
with the effort of a macaroni necklace.

And the eagle, who you love, sweeps you over the ocean,
wipes tears from your cheeks with one soft bone talon,
and the ocean is heavy with whales again,
and the whales are heavy with whaleness again,
and the earth is heavy with ice at the poles,
no part of it heavy with pain any more.

VI
There will come a day


with only daylight


coming down.

VII
There will come a day again. A day like nothing happened.
And if a day won’t come, maybe a minute will?
And if a minute won’t, then come good ghosts,
come ancestors’ real names and yesterday’s perfume,

come time-traveler’s magic trick
you play on the child of you,
over and over, laughing and laughing,
trick after laugh after trick ‘til she trusts you

more than anyone—you who she became—laughing
as she toddles toward your frothing, wailing portal
to some sweeter timeline where she might grow up okay,
this child of you, this small laughing child. You repeat:

Look, look at what I’m holding!
Look at what’s about to vanish!

About Callie Jennings

Callie Jennings (@aporianautics) is a trans writer, musician, & game designer based in Boston. She received the 2024 Stacy Doris Prize and 2023 Bennett Nieberg Transpoetic Broadside Prize and has work in Troublemaker Firestarter, Fifth Wheel Press, manywor(l)ds, Fruit Journal, and Impossible Archetype. Her newsletter is at threemachineexpression.substack.com, and chances are she’s dancing.

Zone 3 Press, the literary magazine of Austin Peay State University
Volume 39, Issue 1
Volume 39, Issue 1

Seven of the Bonus Stages of Grief

I
There will come a day,
trust me on this,
when you text your housemate-enemy-crush
to see if ze could bike by Star after hir shift
to grab some extra chips and mixers,
and no part of you plans what you’ll journal
if ze’s struck and killed on that half mile.

II
There will come a day
when you can half-smile at unexpected fireworks
and unfamiliar men, when you see an empty
stroller as just the thing it is, when you hold
your keys like you would hold a dandelion,
when unsurprising words for death are peacefully,
it was her time, and in their sleep, when knocking
wood’s a charming, dying quirk of grandmothers.

III

There will come a day,
I promise you, I promise you, I promise you there will,
when the Council of Grandmothers’ grandmothers knock

and you look through the peephole, and right at the peephole
is the fiercest crone eye of the savoriest brown.

So you put on the kettle, pull out the spare blankets,
while the softest gran coos at your cat, and the others
dismantle your faucets and cure the slow leaks. Each
takes her moment to tell you you’re quick enough,
and beautiful and good enough, such a catch,

and this day that’s come’s the day you can believe them.

And each holds your hand in her petals of hands
and kisses it. ‘Til your skin’s threadbare with kisses.

IV
There will come a day
when you wake to find a trumpet on your lips,

the junky crumpled trumpet of your threadbare desperate longing,
and you woke because you blew it, and a shining trash city

descends from the heavens on tag-sale rockets, landing rough
astride the highways, just where no one wanted

a city of your garbage in a grass-stained gown, and the city’s nickname
is your seventh-grade nickname,

and you take every interview, upright and unafraid.

V
There will come a day
when you’re fearlessly surfing hot mile-up winds
on a skyboard tied to a skeleton eagle—
he’s not dead, just wicked metal—

and you (and your unfeathered friend) wear nothing
but your helmet and your knee pads—
it’s not a dream, you’ve graduated, you have
your usual teeth, you’re only pregnant if you want,
there are no lines to know, but yeah, you’re naked—

as if it’s the simplest thing to be naked
when your body completely belongs to you,
when you’ve made it yourself
with your self-made hands,
with the effort of a macaroni necklace.

And the eagle, who you love, sweeps you over the ocean,
wipes tears from your cheeks with one soft bone talon,
and the ocean is heavy with whales again,
and the whales are heavy with whaleness again,
and the earth is heavy with ice at the poles,
no part of it heavy with pain any more.

VI
There will come a day


with only daylight


coming down.

VII
There will come a day again. A day like nothing happened.
And if a day won’t come, maybe a minute will?
And if a minute won’t, then come good ghosts,
come ancestors’ real names and yesterday’s perfume,

come time-traveler’s magic trick
you play on the child of you,
over and over, laughing and laughing,
trick after laugh after trick ‘til she trusts you

more than anyone—you who she became—laughing
as she toddles toward your frothing, wailing portal
to some sweeter timeline where she might grow up okay,
this child of you, this small laughing child. You repeat:

Look, look at what I’m holding!
Look at what’s about to vanish!

Volume 39, Issue 1
Volume 39, Issue 1

Seven of the Bonus Stages of Grief

I
There will come a day,
trust me on this,
when you text your housemate-enemy-crush
to see if ze could bike by Star after hir shift
to grab some extra chips and mixers,
and no part of you plans what you’ll journal
if ze’s struck and killed on that half mile.

II
There will come a day
when you can half-smile at unexpected fireworks
and unfamiliar men, when you see an empty
stroller as just the thing it is, when you hold
your keys like you would hold a dandelion,
when unsurprising words for death are peacefully,
it was her time, and in their sleep, when knocking
wood’s a charming, dying quirk of grandmothers.

III

There will come a day,
I promise you, I promise you, I promise you there will,
when the Council of Grandmothers’ grandmothers knock

and you look through the peephole, and right at the peephole
is the fiercest crone eye of the savoriest brown.

So you put on the kettle, pull out the spare blankets,
while the softest gran coos at your cat, and the others
dismantle your faucets and cure the slow leaks. Each
takes her moment to tell you you’re quick enough,
and beautiful and good enough, such a catch,

and this day that’s come’s the day you can believe them.

And each holds your hand in her petals of hands
and kisses it. ‘Til your skin’s threadbare with kisses.

IV
There will come a day
when you wake to find a trumpet on your lips,

the junky crumpled trumpet of your threadbare desperate longing,
and you woke because you blew it, and a shining trash city

descends from the heavens on tag-sale rockets, landing rough
astride the highways, just where no one wanted

a city of your garbage in a grass-stained gown, and the city’s nickname
is your seventh-grade nickname,

and you take every interview, upright and unafraid.

V
There will come a day
when you’re fearlessly surfing hot mile-up winds
on a skyboard tied to a skeleton eagle—
he’s not dead, just wicked metal—

and you (and your unfeathered friend) wear nothing
but your helmet and your knee pads—
it’s not a dream, you’ve graduated, you have
your usual teeth, you’re only pregnant if you want,
there are no lines to know, but yeah, you’re naked—

as if it’s the simplest thing to be naked
when your body completely belongs to you,
when you’ve made it yourself
with your self-made hands,
with the effort of a macaroni necklace.

And the eagle, who you love, sweeps you over the ocean,
wipes tears from your cheeks with one soft bone talon,
and the ocean is heavy with whales again,
and the whales are heavy with whaleness again,
and the earth is heavy with ice at the poles,
no part of it heavy with pain any more.

VI
There will come a day


with only daylight


coming down.

VII
There will come a day again. A day like nothing happened.
And if a day won’t come, maybe a minute will?
And if a minute won’t, then come good ghosts,
come ancestors’ real names and yesterday’s perfume,

come time-traveler’s magic trick
you play on the child of you,
over and over, laughing and laughing,
trick after laugh after trick ‘til she trusts you

more than anyone—you who she became—laughing
as she toddles toward your frothing, wailing portal
to some sweeter timeline where she might grow up okay,
this child of you, this small laughing child. You repeat:

Look, look at what I’m holding!
Look at what’s about to vanish!

About Callie Jennings

Callie Jennings (@aporianautics) is a trans writer, musician, & game designer based in Boston. She received the 2024 Stacy Doris Prize and 2023 Bennett Nieberg Transpoetic Broadside Prize and has work in Troublemaker Firestarter, Fifth Wheel Press, manywor(l)ds, Fruit Journal, and Impossible Archetype. Her newsletter is at threemachineexpression.substack.com, and chances are she’s dancing.