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black and white overlays of feminine faces
Volume 40, Issue 1
Volume 40, Issue 1

Our House Forgot Our Names

Sai Kung, Hong Kong (Outskirts) 

The wind slides through the torn mosquito screen. 
The hallway smells like rust, yesterday’s rain. 
The door creaks as we step in. A photograph of us  
leans, unseen— its frame unhooked, the glass panels  
stained with limescale from the ocean’s sprays. 
The hallway still smells of rust and rain. 
Yesterday, we came back just to say goodbye. 
We wipe dust and time from each unhooked frame. 
You looked away, so I didn’t cry. 
Today, we just came back to say goodbye. 
I trace the wall, hoping it might remember us. 
I look away, so you don’t cry. 
Our childhood still flickers, faint and blue. 
I trace the wall, as if it might remember 
The photograph we step into, still unseen– 
Ma’s faded sundress, Ba’s ceramic cup holding  
his floating tea leaves. Faint, blue. 
We let it all slide through the torn screen. 

About Hanyi Zhou

Hanyi Zhou is a high school student based in Hong Kong. Her work has been recognized by The New York Times Magazine and River of Words, among others. She finds joy in all forms of literature and writes poetry about memory, culture, and the quiet textures of everyday life and care.

black and white overlays of feminine faces
Zone 3 Press, the literary magazine of Austin Peay State University
Volume 40, Issue 1
Volume 40, Issue 1

Our House Forgot Our Names

Sai Kung, Hong Kong (Outskirts) 

The wind slides through the torn mosquito screen. 
The hallway smells like rust, yesterday’s rain. 
The door creaks as we step in. A photograph of us  
leans, unseen— its frame unhooked, the glass panels  
stained with limescale from the ocean’s sprays. 
The hallway still smells of rust and rain. 
Yesterday, we came back just to say goodbye. 
We wipe dust and time from each unhooked frame. 
You looked away, so I didn’t cry. 
Today, we just came back to say goodbye. 
I trace the wall, hoping it might remember us. 
I look away, so you don’t cry. 
Our childhood still flickers, faint and blue. 
I trace the wall, as if it might remember 
The photograph we step into, still unseen– 
Ma’s faded sundress, Ba’s ceramic cup holding  
his floating tea leaves. Faint, blue. 
We let it all slide through the torn screen. 

Volume 40, Issue 1
Volume 40, Issue 1

Our House Forgot Our Names

Sai Kung, Hong Kong (Outskirts) 

The wind slides through the torn mosquito screen. 
The hallway smells like rust, yesterday’s rain. 
The door creaks as we step in. A photograph of us  
leans, unseen— its frame unhooked, the glass panels  
stained with limescale from the ocean’s sprays. 
The hallway still smells of rust and rain. 
Yesterday, we came back just to say goodbye. 
We wipe dust and time from each unhooked frame. 
You looked away, so I didn’t cry. 
Today, we just came back to say goodbye. 
I trace the wall, hoping it might remember us. 
I look away, so you don’t cry. 
Our childhood still flickers, faint and blue. 
I trace the wall, as if it might remember 
The photograph we step into, still unseen– 
Ma’s faded sundress, Ba’s ceramic cup holding  
his floating tea leaves. Faint, blue. 
We let it all slide through the torn screen. 

About Hanyi Zhou

Hanyi Zhou is a high school student based in Hong Kong. Her work has been recognized by The New York Times Magazine and River of Words, among others. She finds joy in all forms of literature and writes poetry about memory, culture, and the quiet textures of everyday life and care.